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Textile Fibres and Terminology
Textile Fibres
• Cotton – Cotton fibres are the seed hairs of the plant Gossypium. They are
usually off-white in colour although some varieties have been bred to
incorporate a natural colour. Each fibre is formed by the elongation of a single
cell from the surface of the seed. The word cotton is derived from it’s Arabic
name pronounced kutan, qutn or qutan depending on the dialect.
Under a microscope , a cotton fibre appears as a very fine, regular fibre,
looking like a twisted ribbon or a collapsed and twisted tube. These twists are
called convolutions.
Almost half of the world’s requirements for textile fibres are met by cotton. It is
grown in many parts of the world where a hot dry climate is to be found, the
main producers being USA, the former USSR, China, India, Egypt, Africa and
South America.
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Cotton consists typically of between 88 to 96% cellulose with the rest being
protein, pectic substances (congealed gum-like carbohydrates), ash and wax.
After scouring and bleaching, cotton is then about 99% cellulose. The fibres
are weakened and destroyed by acids but are resistant to alkalis.
The fibre length varies with the type and quality, within the range 10 to 65mm;
the fibre diameter ranges from 11 to 22 μm. Cotton is a relatively strong fibre
with a strength of 25 to 35 cN/tex and a breaking elongation of 7 to 9%. It is
stronger when wet. Cotton also absorbs moisture readily, which makes cotton
clothes comfortable to wear in warm weather (water retention of 50%,
moisture regain of 7%).
Cotton fibre burns readily and is not inherently resistant to oxidising agents,
and biodegradation, as well as acids. Despite these shortcomings cotton has
a good wear life. Its properties can also be readily modified by chemical
finishes which provide enhanced performance, e.g. crease resistance and
flame resistance.
It is used in both 100% form and in blends with other fibres for household
textiles and apparel. Synthetic fibres have largely replaced its use in industrial
textiles.
The environmental impact of the cotton manufacturing process starts in the
field with the fertilisers and insecticides used in the growing of the cotton
plant. These have a direct impact on the land and the local flora and fauna.
The US alone spends about 500 million dollars a year on pesticides for
protection against the bollworm and other harmful bugs. These pesticides also
have an effect on people living in the viscinity of cotton fields. Nausea,
diarrhoea and throat irritation being the most common complaints. It is also
interesting to note that the gas leak at Bhopal , India which killed over 3,000
people came from a pesticide used in the spraying of cotton crops.
The ginning or separation of the seed from the fibre is a dusty process that
has serious health implications on cotton workers in developing countries,
where the separation is carried out using traditional methods. The fibre is then
packaged and transported across the globe. The production of natural fibres
is conducted in many separate locations, transportation of the cotton bales
has therefore a significant impact on the environment.
The spinning process introduces another set of significant impacts, producing
more dust, noise and waste fibre and is also a relatively large consumer of
electricity (as much as 2½ tonnes of oil per tonne of yarn). Relative humidity
in the processing plant must also be controlled to minimise breakages,
another consumer of energy. Weaving creates a similar set of impacts plus
the added effect of using size and biocides has to be considered on the
aqueous environment. Sizes are either natural, like starches or synthetic such
as polyvinyl alcohol. The new sizes make weaving on the faster modern
machinery a lot easier, but they have the drawback of being harder to
biodegrade from the waste water.
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Cotton preparation, that is singeing, desizing, scouring, bleaching and
mercerising impacts on both the air and water. Singeing produces a dusty
odorous emission, whilst the other preparative processes are the major
contributors to BOD/COD in a textile effluent. There is also the problem of
pentachlorophenol (pcp) on imported fabric which is washed out during
preparation. This is an eco-toxic rot-proofing chemical with a very low
discharge consent (maximum allowable concentration).
Cotton is by far the most popular fibre in use today, at least in terms of volume
of production. The most widely used class of dyestuff on cotton are reactive
dyes, which unfortunately are also the most poorly exhausted, producing a
more coloured effluent. Colour consents on discharges have therefore been
enforced in certain areas where there are significant numbers of cotton dyers.
The main pollution problem associated with cotton finishing processes is that
of formaldehyde emissions from resin and other finishes. Low formaldehyde
formulations have improved over the past few years but not far enough to
eliminate the need for abatement on many stenters.
Attempts have been made to reduce the impact of cotton growing by
eliminating pesticide use and by growing coloured strains of cotton so that the
preparation and dyeing of the cotton is minimised. The bollworm can be
eliminated by imposing a three month fallow period at the end of the growing
season, and certain short fibre coloured cottons used by Indians in Central
America have been cross bred with long fibre strains by a company in the US
called Foxfibre. However, the amount of organic cotton grown in the US is still
only a tiny fraction of the global output ( by the mid-1990’s, 80 cotton growing
countries were producing about 85 million bales of cotton).
• Wool – The most important of the fibres of animal origin is wool, the hair of
the sheep (Ovis ales). The characteristics of wool fibres differ depending on
the breed and general condition of the sheep.
Wool, the hair of various breeds of sheep, is a warm springy fibre. It’s scaly
structure led in the past to unwanted felting (matting of fibres) and shrinkage
in laundering but modern finishing treatments have now overcome these
difficulties; similarly, attack by the clothes moth is no longer a problem.
In the UK alone there are 34 main breeds of sheep and a further 43 rare
breeds and hybrids. When wool fibres have been processed it is not possible
to say with confidence from what breed of sheep or country they have
originated because wool fibres from several breeds have the same
microscopical appearance. There are four main types of wool fibre: fine,
coarse, outercoat and kemps. Each type has a characteristic scale pattern so
that it is possible to distinguish between types, although it is not possible to
assign a type to a breed of sheep.
Wool fibres are generally white, with the finer fibres having a circular cross
section and the coarse fibres being more irregular in contour. Kemp fibres are
usually chalky white in appearance, very coarse and brittle, with a long
tapering tip and a taper over a short distance to the root end.
An important aspect of the environmental impact of wool processing is the use
of pesticides on sheep. Although the problem has been minimised over recent
years with the introduction of tighter restrictions or even bans on the use of
some formulations, this is still a major concern since these toxic chemicals
make their way into rivers.
Another impact at this early stage which is maybe less obvious, is the
methane generated globally by the many hundreds of millions of sheep.
Methane is a powerful greenhouse gas and contributes to the effect of global
warming.
Again, as with cotton there is also the effect of transporting huge quantities of
textiles across the globe with the associated fuel usage and fume generation
problems.
The scouring of the raw wool, the next stage, is a process which produces a
liquid effluent with a very high organic load and solids content and varying
levels of pesticide contamination. The highly polluting nature of this waste and
the strict discharge consents associated with the process means that scourers
have to treat their effluent on-site.
Another environmental problem is that many of the dyestuffs available for
obtaining good dark shades on woollen fabric or yarn are mordant dyes
containing chromium. The discharge of chromium is strictly controlled and so
companies are being forced into using alternatives or consider on-site effluent
treatment.
In the carpet industry permethrin, another pesticide, is added to the yarn that
goes into making contract carpets, this is a quality requirement to protect the
wool from moth attack. The effluent from this process must therefore be
treated and continually monitored.
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